Blinky Collins' part in this matter was very brief. Blinky lasted just long enough to make a great discovery, to brag about it as was Blinky's way, and then pass on to find his reward in whatever hereafter is set apart for weak-minded crooks whose heads are not hard enough to withstand the crushing impact of a lead-filled pacifier.
The photograph studio of Blinky Collins was on the third floor of a disreputable building in an equally unsavory part of Chicago. There were no tinted pictures of beautiful blondes nor of stern, square-jawed men of affairs in Blinky's reception room. His clients, who came furtively there, were strongly opposed to having their pictures taken—they came for other purposes. For the photographic work of Mr. Collins was strictly commercial—and peculiar. There were fingerprints to be photographed and identified for purpose of private revenge, photographs of people to be merged and repictured in compromising closeness for reasons of blackmail. And even X-Ray photography was included in the scope of his work.
The great discovery came when a box was brought to the dingy room and Mr. Collins was asked to show what was inside it without the bother and inconvenience of disturbing lock and seals. The X-Ray machine sizzled above it, and a photographic plate below was developed to show a string of round discs that could easily have been pearls.
The temporary possessor of the box was pleased with the result—but Blinky was puzzled. For the developer had brought out an odd result. There were the pearls as expected, but, too, there was a small picture superimposed—a picture of a bald head and a body beneath seated beside a desk. The picture had been taken from above looking straight down, and head and desk were familiar.
Blinky knew them both. The odd part was that he knew also that both of them were at that instant on the ground floor of the same disreputable building, directly under and two floors below his workshop.
