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Information Doesn't Want to Be Free

Laws for the Internet Age

Audiobook
1 of 1 copy available
1 of 1 copy available

In sharply argued, fast-moving chapters, Cory Doctorow's Information Doesn't Want to Be Free takes on the state of copyright and creative success in the digital age. Can small artists still thrive in the Internet era? Can giant record labels avoid alienating their audiences? This is a book about the pitfalls and the opportunities that creative industries (and individuals) are confronting today. An essential read for anyone with a stake in the future of the arts, Information Doesn't Want to Be Free offers a vivid guide to the ways creativity and the Internet interact today, and to what might be coming next.

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    • AudioFile Magazine
      Cory Doctorow's broadside against copyrights is well suited for the audiobook format. The short chapters move quickly, the musical cues maintain momentum, and Wil Wheaton's persuasive narration pilots the whole production with a confident forward motion. Doctorow's thesis--that fame trumps talent, people want free stuff, and individual copying is a benign form of expression--is clearly and convincingly conveyed. Creators have to give up on worrying about piracy and rely on fans to supplement their income. Alas, moments after Wheaton's compelling narration ends, a reminder is heard that Blackstone Audio (which owns the audio copyright) does not tolerate the type of unauthorized copying and distribution that the author espouses. R.W.S. © AudioFile 2015, Portland, Maine
    • Publisher's Weekly

      Starred review from September 15, 2014
      The Internet has expanded and cluttered the debate over intellectual property with technical terms and special interests, but Doctorow (Rapture of the Nerds), co-editor of the popular blog Boing Boing and a contributor to Publishers Weekly, breaks down some of the most fundamental concepts at work into plain language. The book is organized around Doctorow’s Three Laws, which consider DRM (digital rights management, which Doctorow simplifies to “digital locks”), piracy versus obscurity, and the way copyright ought to work. He excels at translating complex issues into pithy, digestible phrases, and challenges readers to rethink the idea of copyright and who it is meant serve. Doctorow argues that, rather than doing away with copyright as we know it, we need to rethink the way that it is enforced. He deftly explains how an open Internet directly affects freedom of speech and freedom of the press, and why censorship doesn’t solve problems. Equal parts manifesto and field guide, Doctorow’s primer for artists and creators delivers a healthy dose of clarity to the debate. Agent: Russell Galen, Scovil Galen Ghosh Literary Agency.

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Languages

  • English

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