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Shooting Ghosts

A U.S. Marine, a Combat Photographer, and Their Journey Back from War

Audiobook
1 of 1 copy available
1 of 1 copy available
"A majestic book." —Bessel van der Kolk, MD, author of The Body Keeps the Score
A unique joint memoir by a U.S. Marine and a conflict photographer whose unlikely friendship helped both heal their war-wounded bodies and souls
"The dueling-piano spirit of SHOOTING GHOSTS works because its authors are so committed to transparency, admitting readers into the dark crevices of their isolation." Wall St Journal

War tears people apart, but it can also bring them together. Through the unpredictability of war and its aftermath, a decorated Marine sergeant and a world-trotting war photographer became friends, their bond forged as they patrolled together through the dusty alleyways of Helmand province and camped side by side in the desert. It deepened after Sergeant T. J. Brennan was injured during a Taliban ambush, and both returned home. Brennan began to suffer from the effects of his injury and from the fallout of his tours in Iraq and Afghanistan. But war correspondents experience similar rates of posttraumatic stress as combat veterans. The causes can be different, but guilt plays a prominent role in both. For Brennan, it’s the things he’s done, or didn’t do, that haunt him. Finbarr O’Reilly’s conscience is nagged by the task of photographing people at their most vulnerable while being able to do little to help, and his survival guilt as colleagues die on the job. Their friendship offered them both a shot at redemption.  
As we enter the fifteenth year of continuous war, it is increasingly urgent not just to document the experiences of the battlefield but also to probe the reverberations that last long after combatants and civilians have returned home, and to understand the many faces trauma takes. Shooting Ghosts looks at the horrors of war directly, but then turns to a journey that draws on our growing understanding of what recovery takes. Their story, told in alternating first-person narratives, is about the things they saw and did, the ways they have been affected, and how they have navigated the psychological aftershocks of war and wrestled with reforming their own identities and moral centers. While war never really ends for those who’ve lived through it, this book charts the ways two survivors have found to calm the ghosts and reclaim a measure of peace.
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    • Publisher's Weekly

      Starred review from May 29, 2017
      In this well-written account of dealing with war trauma, a still-taboo subject for many in the military, Brennan and O’Reilly, a retired Marine Corps sergeant and a battle-hardened photojournalist, respectively, confront the manner in which they were consumed by the hell of warfare and saved by the power of words and pictures. In Afghanistan’s Helmand province, Brennan methodically goes about his work, killing Taliban insurgents and children who get in the way. O’Reilly was driven in his own way in covering African wars and civil strife in Congo, Libya, and elsewhere. While embedded in Brennan’s squad, O’Reilly photographs the wounds the sergeant suffers after an explosion. Their lives now linked, when the shooting stops and the blasts end for them, neither man can survive his respective trauma without treatment. O’Reilly seeks help and receives it without much ado. But Brennan must navigate the Corps’s byzantine bureaucracy and the perverse machismo of fellow soldiers and commanders who disparage post-traumatic stress disorder as a weakness. Brennan and O’Reilly strip away any misplaced notions of glamour, bravery, and stoicism to craft an affecting memoir of a deep friendship—one that nourishes their will to survive the memories of horrors that most noncombatants will never fully understand. Agent: Stuart Krichevsky, Stuart Krichevsky Literary.

    • Publisher's Weekly

      October 2, 2017
      This audiobook employs the voices of two voice actors—Chamberlain and Lawrence—to stand in for the authors, who describe the hell they encountered in Afghanistan and their friendship that resulted. Brennan and O’Reilly, a retired Marine Corps sergeant and a photojournalist, respectively, were thrown together when O’Reilly was assigned to cover Brennan’s squad in a remote outpost in Afghanistan. For O’Reilly, the assignment is simply another job; for Brennan, it means another person to worry about. But when Brennan is injured by a bomb, it starts a chain of events that has a profound effect on both men’s lives. Actor Chamberlain presents Brennan’s narrative with a simple, straightforward delivery that allows the author’s words to carry the emotional weight of the prose. Actor Lawrence embellishes Brennan’s parts of the narrative with a tough-sounding Massachusetts accent that is more distracting than anything else. He also attempts different voices for various people in Brennan’s life. The vast differences between the narrators’ styles creates an imbalance that distracts from the content of the book. A Viking hardcover.

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  • English

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