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The Disappointment Artist

Selected Unabridged Essays

Audiobook
1 of 1 copy available
1 of 1 copy available
In a volume he describes as “a series of covert and no-so-covert autobiographical pieces,” Jonathan Lethem explores the nature of cultural obsession—in his case, with examples as diverse as western films, comic books, the music of Talking Heads and Pink Floyd, and the New York City subway. Along the way, he shows how each of these “voyages out from himself” have led him home—home to his father's life as a painter, and to the source of his beginnings as a writer. THE DISAPPOINTMENT ARTIST is a series of windows onto the collisions of art, landscape, and personal history that formed Lethem’s richly imaginative, searingly honest perspective on life as a human creature in the jungle of culture at the end of the twentieth century.

From a confession of the sadness of a “Star Wars nerd” to an investigation into the legacy of a would-be literary titan, Lethem illuminates the process by which a child invents himself as a writer, and as a human being, through a series of approaches to the culture around him. In “The Disappointment Artist,” a letter from his aunt, a children’s book author, spurs a meditation on the value of writing workshops, and the uncomfortable fraternity of writers. In “Defending The Searchers” Lethem explains how a passion for the classic John Wayne Western became occasion for a series of minor humiliations. In “Identifying with Your Parents,” an excavation of childhood love for superhero comics expands to cover a whole range of nostalgia for a previous generation’s cultural artifacts. And “13/1977/21,” which begins by recounting the summer he saw Star Wars twenty-one times, “slipping past ushers who’d begun to recognize me . . . occult as a porn customer,” becomes a meditation on the sorrow and solace of the solitary movie-goer.

THE DISAPPOINTMENT ARTIST confirms Lethem's unique ability to illuminate the way life, his and ours, can be read between the lines of art and culture.
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    • AudioFile Magazine
      Jonathan Lethem is the ideal narrator for these unusual, deeply smart essays, which amount to an intellectual and psychological portrait of the artist as a young man. His voice is appealing, and his diction clear but personal, a little rushed, but never to the disservice of the text. Since the writing is so engagingly honest about Lethem's past obsessions (comic book art, STAR WARS Stanley Kubrick, Philip K. Dick), especially the ones he has been changed by but outgrown, it is particularly satisfying not to have the scrim of a trained actor's voice between you and the author. Anyone who enjoys his marvelous novels (this reviewer particularly loves MOTHERLESS BROOKLYN) should be charmed and moved by this production. B.G. (c) AudioFile 2005, Portland, Maine
    • Publisher's Weekly

      December 13, 2004
      Novelist Lethem's new collection of essays starts with an intriguing, if emotionally distant, consideration of his lifelong relationship with popular culture and develops into a moving memoir that transcends those references altogether. As the essays make clear, Lethem (The Fortress of Solitude
      ) has always been obsessive: he watched Star Wars
      21 times the summer it was released, then followed that with 21 viewings of 2001
      a few years later; the novels of Philip K. Dick played as large a role in his growing artistic vision as did the canvases of his father, painter Richard Lethem. But the collection doesn't find its purpose until the author strips away the pop culture references to get at what really drives him: the childhood his hippie parents provided for him, his father's artistic influence on him, his mother's early death. The book picks up steam especially in the essay "Lives of the Bohemians," a simple and direct family history in which, for the first time here, Lethem's depiction of himself as a child feels genuine rather than theorized, lived rather than considered. By the end, Lethem fully and beautifully bares himself, admitting that he, like so many, is driven by loss. Only then does he write the truest sentence possible: "I find myself speaking about my mother's death everywhere I go in this world." Agent, Richard Parks.

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